(500) days of summer'ın girişindeki asansörde karşılaşma sahnesi,
depresif ingilizler'i uzun zamandır ihmal ettiğimizi anımsattı. madem
öyle;
and if a double-decker bus, crashes into us, to die by your side, is such a heavenly way to die...
and if a double-decker bus, crashes into us, to die by your side, is such a heavenly way to die...
take me out tonight
where there's music and there's people
and they're young and alive
driving in your car
i never never want to go home
because i haven't got one
anymore
take me out tonight
because i want to see people and i
want to see life
driving in your car
oh, please don't drop me home
because it's not my home, it's their
home, and i'm welcome no more
and if a double-decker bus
crashes into us
to die by your side
is such a heavenly way to die
and if a ten-ton truck
kills the both of us
to die by your side
well, the pleasure - the privilege is mine
take me out tonight
take me anywhere, i don't care
i don't care, i don't care
and in the darkened underpass
i thought oh god, my chance has come at last
(but then a strange fear gripped me and i
just couldn't ask)
take me out tonight
oh, take me anywhere, i don't care
i don't care, i don't care
driving in your car
i never never want to go home
because i haven't got one, da ...
oh, i haven't got one
and if a double-decker bus
crashes into us
to die by your side
is such a heavenly way to die
and if a ten-ton truck
kills the both of us
to die by your side
well, the pleasure - the privilege is mine
oh, there is a light and it never goes out
there is a light and it never goes out
there is a light and it never goes out
there is a light and it never goes out
there is a light and it never goes out
there is a light and it never goes out
there is a light and it never goes out
there is a light and it never goes out
there is a light and it never goes out
there is a light that never goes out / the smiths



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